![](\"https:\/\/www.haru-agency.com\/wp-content\/uploads\/2026\/05\/Photo-ElComite-16.jpg\" "\\"Photo-ElComite-16\\"")
<\/span><\/div><\/div><\/div><\/div><\/div>El Comit\u00e9<\/h1>\n<\/div><\/div><\/div>Caroussel<\/h3><\/div><\/div><\/div><\/div><\/div>El Comit\u00e9<\/h1>\n<\/div><\/div><\/div>Caroussel<\/h3><\/div><\/div><\/div><\/div><\/div>El Comit\u00e9<\/h1>\n<\/div><\/div><\/div>Caroussel<\/div><\/h3><\/div><\/div><\/div><\/div><\/div><\/div>\u201cCarrousel\u201d is El Comit\u00e9\u2019s second album and already stands out as a benchmark release for anyone interested in today\u2019s Afro\u2011Cuban jazz. Conceived as a true carousel of sounds and atmospheres, the album unfolds eleven tracks \u2013 nine original compositions and two highly personal reinterpretations of \u201cWonderwall\u201d (Oasis) and \u201cLa Fama\u201d (Rosal\u00eda & The Weeknd) \u2013 that reflect the band\u2019s collective maturity. Recorded at the legendary Studio Ferber in Paris, with a wide and warm sound, \u201cCarrousel\u201d captures what promoters often look for in vain: music that is instantly engaging, yet driven by top\u2011tier instrumental prowess and highly sophisticated writing.\n\nAt its core, El Comit\u00e9 reaffirms its status as a Cuban all\u2011star band: a blazing front line (Carlos Sarduy on trumpet, Irving Acao on saxophones, Harold L\u00f3pez\u2011Nussa and Rolando Luna on keyboards) supported by an unstoppable rhythm section (Gaston Joya, Rodney Barreto, Yaroldy Abreu). The album moves with ease between Monk\u2011tinged cha\u2011cha\u2011cha, funk and soul\u2011inflected grooves, flashes of free jazz, lyrical ballads, and searing Latin jazz, without ever losing its narrative thread. High\u2011profile guests further raise the bar: Ibrahim Maalouf brings his unmistakable sound to the title track \u201cCarrousel\u201d, while Pedrito Martinez injects his vocal and percussive energy into \u201cWanna Feelin\u2019\u201d, reinforcing both the live potential of the music and its international dimension.<\/p>\nFor venues and festivals, \u201cCarrousel\u201d is above all a formidable reservoir of live repertoire. Tracks such as \u201cDance To Hope\u201d, \u201cBrainstorm Groove\u201d, \u201cTinajones\u201d, and \u201cJazz Plaza\u201d are already hailed by the press as standout pieces, tailor\u2011made for the stage, with tension\u2011building arcs, breaks, and improvisational spaces that allow the band to unleash its full firepower. International critics emphasise El Comit\u00e9\u2019s ability to combine harmonic sophistication with immediate appeal, turning each piece into a promise of a highlight moment in concert \u2013 whether in a club, on a major festival stage, or in a prestigious concert hall.<\/p>\n
In short, \u201cCarrousel\u201d crystallises the work of a generation of musicians who have shaped modern Cuban jazz and propels it into the future. Frequently cited by the specialised press among the year\u2019s noteworthy releases, the album is described as a musical journey that takes the listener from Paris to Havana via New York, without ever losing sight of dance and groove. For programmers, it offers the assurance of a strong, rich, and instantly readable repertoire, carried by a band that knows how to turn the promise of the record into a blazing live show.<\/p>\n<\/div>\n<\/div>
Caroussel<\/h3><\/div><\/div><\/div><\/div><\/div>El Comit\u00e9<\/h1>\n<\/div><\/div><\/div>Caroussel<\/h3><\/div><\/div><\/div><\/div><\/div>El Comit\u00e9<\/h1>\n<\/div><\/div><\/div>Caroussel<\/div><\/h3><\/div><\/div><\/div><\/div><\/div><\/div>\u201cCarrousel\u201d is El Comit\u00e9\u2019s second album and already stands out as a benchmark release for anyone interested in today\u2019s Afro\u2011Cuban jazz. Conceived as a true carousel of sounds and atmospheres, the album unfolds eleven tracks \u2013 nine original compositions and two highly personal reinterpretations of \u201cWonderwall\u201d (Oasis) and \u201cLa Fama\u201d (Rosal\u00eda & The Weeknd) \u2013 that reflect the band\u2019s collective maturity. Recorded at the legendary Studio Ferber in Paris, with a wide and warm sound, \u201cCarrousel\u201d captures what promoters often look for in vain: music that is instantly engaging, yet driven by top\u2011tier instrumental prowess and highly sophisticated writing.\n\nAt its core, El Comit\u00e9 reaffirms its status as a Cuban all\u2011star band: a blazing front line (Carlos Sarduy on trumpet, Irving Acao on saxophones, Harold L\u00f3pez\u2011Nussa and Rolando Luna on keyboards) supported by an unstoppable rhythm section (Gaston Joya, Rodney Barreto, Yaroldy Abreu). The album moves with ease between Monk\u2011tinged cha\u2011cha\u2011cha, funk and soul\u2011inflected grooves, flashes of free jazz, lyrical ballads, and searing Latin jazz, without ever losing its narrative thread. High\u2011profile guests further raise the bar: Ibrahim Maalouf brings his unmistakable sound to the title track \u201cCarrousel\u201d, while Pedrito Martinez injects his vocal and percussive energy into \u201cWanna Feelin\u2019\u201d, reinforcing both the live potential of the music and its international dimension.<\/p>\nFor venues and festivals, \u201cCarrousel\u201d is above all a formidable reservoir of live repertoire. Tracks such as \u201cDance To Hope\u201d, \u201cBrainstorm Groove\u201d, \u201cTinajones\u201d, and \u201cJazz Plaza\u201d are already hailed by the press as standout pieces, tailor\u2011made for the stage, with tension\u2011building arcs, breaks, and improvisational spaces that allow the band to unleash its full firepower. International critics emphasise El Comit\u00e9\u2019s ability to combine harmonic sophistication with immediate appeal, turning each piece into a promise of a highlight moment in concert \u2013 whether in a club, on a major festival stage, or in a prestigious concert hall.<\/p>\n
In short, \u201cCarrousel\u201d crystallises the work of a generation of musicians who have shaped modern Cuban jazz and propels it into the future. Frequently cited by the specialised press among the year\u2019s noteworthy releases, the album is described as a musical journey that takes the listener from Paris to Havana via New York, without ever losing sight of dance and groove. For programmers, it offers the assurance of a strong, rich, and instantly readable repertoire, carried by a band that knows how to turn the promise of the record into a blazing live show.<\/p>\n<\/div>\n<\/div>
El Comit\u00e9<\/h1>\n<\/div><\/div><\/div>Caroussel<\/h3><\/div><\/div><\/div><\/div><\/div>El Comit\u00e9<\/h1>\n<\/div><\/div><\/div>Caroussel<\/div><\/h3><\/div><\/div><\/div><\/div><\/div><\/div>\u201cCarrousel\u201d is El Comit\u00e9\u2019s second album and already stands out as a benchmark release for anyone interested in today\u2019s Afro\u2011Cuban jazz. Conceived as a true carousel of sounds and atmospheres, the album unfolds eleven tracks \u2013 nine original compositions and two highly personal reinterpretations of \u201cWonderwall\u201d (Oasis) and \u201cLa Fama\u201d (Rosal\u00eda & The Weeknd) \u2013 that reflect the band\u2019s collective maturity. Recorded at the legendary Studio Ferber in Paris, with a wide and warm sound, \u201cCarrousel\u201d captures what promoters often look for in vain: music that is instantly engaging, yet driven by top\u2011tier instrumental prowess and highly sophisticated writing.\n\nAt its core, El Comit\u00e9 reaffirms its status as a Cuban all\u2011star band: a blazing front line (Carlos Sarduy on trumpet, Irving Acao on saxophones, Harold L\u00f3pez\u2011Nussa and Rolando Luna on keyboards) supported by an unstoppable rhythm section (Gaston Joya, Rodney Barreto, Yaroldy Abreu). The album moves with ease between Monk\u2011tinged cha\u2011cha\u2011cha, funk and soul\u2011inflected grooves, flashes of free jazz, lyrical ballads, and searing Latin jazz, without ever losing its narrative thread. High\u2011profile guests further raise the bar: Ibrahim Maalouf brings his unmistakable sound to the title track \u201cCarrousel\u201d, while Pedrito Martinez injects his vocal and percussive energy into \u201cWanna Feelin\u2019\u201d, reinforcing both the live potential of the music and its international dimension.<\/p>\nFor venues and festivals, \u201cCarrousel\u201d is above all a formidable reservoir of live repertoire. Tracks such as \u201cDance To Hope\u201d, \u201cBrainstorm Groove\u201d, \u201cTinajones\u201d, and \u201cJazz Plaza\u201d are already hailed by the press as standout pieces, tailor\u2011made for the stage, with tension\u2011building arcs, breaks, and improvisational spaces that allow the band to unleash its full firepower. International critics emphasise El Comit\u00e9\u2019s ability to combine harmonic sophistication with immediate appeal, turning each piece into a promise of a highlight moment in concert \u2013 whether in a club, on a major festival stage, or in a prestigious concert hall.<\/p>\n
In short, \u201cCarrousel\u201d crystallises the work of a generation of musicians who have shaped modern Cuban jazz and propels it into the future. Frequently cited by the specialised press among the year\u2019s noteworthy releases, the album is described as a musical journey that takes the listener from Paris to Havana via New York, without ever losing sight of dance and groove. For programmers, it offers the assurance of a strong, rich, and instantly readable repertoire, carried by a band that knows how to turn the promise of the record into a blazing live show.<\/p>\n<\/div>\n<\/div>
Caroussel<\/h3><\/div><\/div><\/div><\/div><\/div>El Comit\u00e9<\/h1>\n<\/div><\/div><\/div>Caroussel<\/div><\/h3><\/div><\/div><\/div><\/div><\/div><\/div>\u201cCarrousel\u201d is El Comit\u00e9\u2019s second album and already stands out as a benchmark release for anyone interested in today\u2019s Afro\u2011Cuban jazz. Conceived as a true carousel of sounds and atmospheres, the album unfolds eleven tracks \u2013 nine original compositions and two highly personal reinterpretations of \u201cWonderwall\u201d (Oasis) and \u201cLa Fama\u201d (Rosal\u00eda & The Weeknd) \u2013 that reflect the band\u2019s collective maturity. Recorded at the legendary Studio Ferber in Paris, with a wide and warm sound, \u201cCarrousel\u201d captures what promoters often look for in vain: music that is instantly engaging, yet driven by top\u2011tier instrumental prowess and highly sophisticated writing.\n\nAt its core, El Comit\u00e9 reaffirms its status as a Cuban all\u2011star band: a blazing front line (Carlos Sarduy on trumpet, Irving Acao on saxophones, Harold L\u00f3pez\u2011Nussa and Rolando Luna on keyboards) supported by an unstoppable rhythm section (Gaston Joya, Rodney Barreto, Yaroldy Abreu). The album moves with ease between Monk\u2011tinged cha\u2011cha\u2011cha, funk and soul\u2011inflected grooves, flashes of free jazz, lyrical ballads, and searing Latin jazz, without ever losing its narrative thread. High\u2011profile guests further raise the bar: Ibrahim Maalouf brings his unmistakable sound to the title track \u201cCarrousel\u201d, while Pedrito Martinez injects his vocal and percussive energy into \u201cWanna Feelin\u2019\u201d, reinforcing both the live potential of the music and its international dimension.<\/p>\nFor venues and festivals, \u201cCarrousel\u201d is above all a formidable reservoir of live repertoire. Tracks such as \u201cDance To Hope\u201d, \u201cBrainstorm Groove\u201d, \u201cTinajones\u201d, and \u201cJazz Plaza\u201d are already hailed by the press as standout pieces, tailor\u2011made for the stage, with tension\u2011building arcs, breaks, and improvisational spaces that allow the band to unleash its full firepower. International critics emphasise El Comit\u00e9\u2019s ability to combine harmonic sophistication with immediate appeal, turning each piece into a promise of a highlight moment in concert \u2013 whether in a club, on a major festival stage, or in a prestigious concert hall.<\/p>\n
In short, \u201cCarrousel\u201d crystallises the work of a generation of musicians who have shaped modern Cuban jazz and propels it into the future. Frequently cited by the specialised press among the year\u2019s noteworthy releases, the album is described as a musical journey that takes the listener from Paris to Havana via New York, without ever losing sight of dance and groove. For programmers, it offers the assurance of a strong, rich, and instantly readable repertoire, carried by a band that knows how to turn the promise of the record into a blazing live show.<\/p>\n<\/div>\n<\/div>
El Comit\u00e9<\/h1>\n<\/div><\/div><\/div>Caroussel<\/div><\/h3><\/div><\/div><\/div><\/div><\/div><\/div>\u201cCarrousel\u201d is El Comit\u00e9\u2019s second album and already stands out as a benchmark release for anyone interested in today\u2019s Afro\u2011Cuban jazz. Conceived as a true carousel of sounds and atmospheres, the album unfolds eleven tracks \u2013 nine original compositions and two highly personal reinterpretations of \u201cWonderwall\u201d (Oasis) and \u201cLa Fama\u201d (Rosal\u00eda & The Weeknd) \u2013 that reflect the band\u2019s collective maturity. Recorded at the legendary Studio Ferber in Paris, with a wide and warm sound, \u201cCarrousel\u201d captures what promoters often look for in vain: music that is instantly engaging, yet driven by top\u2011tier instrumental prowess and highly sophisticated writing.\n\nAt its core, El Comit\u00e9 reaffirms its status as a Cuban all\u2011star band: a blazing front line (Carlos Sarduy on trumpet, Irving Acao on saxophones, Harold L\u00f3pez\u2011Nussa and Rolando Luna on keyboards) supported by an unstoppable rhythm section (Gaston Joya, Rodney Barreto, Yaroldy Abreu). The album moves with ease between Monk\u2011tinged cha\u2011cha\u2011cha, funk and soul\u2011inflected grooves, flashes of free jazz, lyrical ballads, and searing Latin jazz, without ever losing its narrative thread. High\u2011profile guests further raise the bar: Ibrahim Maalouf brings his unmistakable sound to the title track \u201cCarrousel\u201d, while Pedrito Martinez injects his vocal and percussive energy into \u201cWanna Feelin\u2019\u201d, reinforcing both the live potential of the music and its international dimension.<\/p>\nFor venues and festivals, \u201cCarrousel\u201d is above all a formidable reservoir of live repertoire. Tracks such as \u201cDance To Hope\u201d, \u201cBrainstorm Groove\u201d, \u201cTinajones\u201d, and \u201cJazz Plaza\u201d are already hailed by the press as standout pieces, tailor\u2011made for the stage, with tension\u2011building arcs, breaks, and improvisational spaces that allow the band to unleash its full firepower. International critics emphasise El Comit\u00e9\u2019s ability to combine harmonic sophistication with immediate appeal, turning each piece into a promise of a highlight moment in concert \u2013 whether in a club, on a major festival stage, or in a prestigious concert hall.<\/p>\n
In short, \u201cCarrousel\u201d crystallises the work of a generation of musicians who have shaped modern Cuban jazz and propels it into the future. Frequently cited by the specialised press among the year\u2019s noteworthy releases, the album is described as a musical journey that takes the listener from Paris to Havana via New York, without ever losing sight of dance and groove. For programmers, it offers the assurance of a strong, rich, and instantly readable repertoire, carried by a band that knows how to turn the promise of the record into a blazing live show.<\/p>\n<\/div>\n<\/div>
Caroussel<\/div><\/h3><\/div><\/div><\/div><\/div><\/div><\/div>\u201cCarrousel\u201d is El Comit\u00e9\u2019s second album and already stands out as a benchmark release for anyone interested in today\u2019s Afro\u2011Cuban jazz. Conceived as a true carousel of sounds and atmospheres, the album unfolds eleven tracks \u2013 nine original compositions and two highly personal reinterpretations of \u201cWonderwall\u201d (Oasis) and \u201cLa Fama\u201d (Rosal\u00eda & The Weeknd) \u2013 that reflect the band\u2019s collective maturity. Recorded at the legendary Studio Ferber in Paris, with a wide and warm sound, \u201cCarrousel\u201d captures what promoters often look for in vain: music that is instantly engaging, yet driven by top\u2011tier instrumental prowess and highly sophisticated writing.\n\nAt its core, El Comit\u00e9 reaffirms its status as a Cuban all\u2011star band: a blazing front line (Carlos Sarduy on trumpet, Irving Acao on saxophones, Harold L\u00f3pez\u2011Nussa and Rolando Luna on keyboards) supported by an unstoppable rhythm section (Gaston Joya, Rodney Barreto, Yaroldy Abreu). The album moves with ease between Monk\u2011tinged cha\u2011cha\u2011cha, funk and soul\u2011inflected grooves, flashes of free jazz, lyrical ballads, and searing Latin jazz, without ever losing its narrative thread. High\u2011profile guests further raise the bar: Ibrahim Maalouf brings his unmistakable sound to the title track \u201cCarrousel\u201d, while Pedrito Martinez injects his vocal and percussive energy into \u201cWanna Feelin\u2019\u201d, reinforcing both the live potential of the music and its international dimension.<\/p>\nFor venues and festivals, \u201cCarrousel\u201d is above all a formidable reservoir of live repertoire. Tracks such as \u201cDance To Hope\u201d, \u201cBrainstorm Groove\u201d, \u201cTinajones\u201d, and \u201cJazz Plaza\u201d are already hailed by the press as standout pieces, tailor\u2011made for the stage, with tension\u2011building arcs, breaks, and improvisational spaces that allow the band to unleash its full firepower. International critics emphasise El Comit\u00e9\u2019s ability to combine harmonic sophistication with immediate appeal, turning each piece into a promise of a highlight moment in concert \u2013 whether in a club, on a major festival stage, or in a prestigious concert hall.<\/p>\n
In short, \u201cCarrousel\u201d crystallises the work of a generation of musicians who have shaped modern Cuban jazz and propels it into the future. Frequently cited by the specialised press among the year\u2019s noteworthy releases, the album is described as a musical journey that takes the listener from Paris to Havana via New York, without ever losing sight of dance and groove. For programmers, it offers the assurance of a strong, rich, and instantly readable repertoire, carried by a band that knows how to turn the promise of the record into a blazing live show.<\/p>\n<\/div>\n<\/div>
For venues and festivals, \u201cCarrousel\u201d is above all a formidable reservoir of live repertoire. Tracks such as \u201cDance To Hope\u201d, \u201cBrainstorm Groove\u201d, \u201cTinajones\u201d, and \u201cJazz Plaza\u201d are already hailed by the press as standout pieces, tailor\u2011made for the stage, with tension\u2011building arcs, breaks, and improvisational spaces that allow the band to unleash its full firepower. International critics emphasise El Comit\u00e9\u2019s ability to combine harmonic sophistication with immediate appeal, turning each piece into a promise of a highlight moment in concert \u2013 whether in a club, on a major festival stage, or in a prestigious concert hall.<\/p>\n
In short, \u201cCarrousel\u201d crystallises the work of a generation of musicians who have shaped modern Cuban jazz and propels it into the future. Frequently cited by the specialised press among the year\u2019s noteworthy releases, the album is described as a musical journey that takes the listener from Paris to Havana via New York, without ever losing sight of dance and groove. For programmers, it offers the assurance of a strong, rich, and instantly readable repertoire, carried by a band that knows how to turn the promise of the record into a blazing live show.<\/p>\n<\/div>\n<\/div>