{"id":4997,"date":"2026-09-30T21:16:11","date_gmt":"2026-09-30T19:16:11","guid":{"rendered":"https:\/\/www.haru-agency.com\/?page_id=4997"},"modified":"2026-09-30T21:16:11","modified_gmt":"2026-09-30T19:16:11","slug":"mutiny-on-the-bounty","status":"publish","type":"page","link":"https:\/\/www.haru-agency.com\/fr\/artists\/mutiny-on-the-bounty\/","title":{"rendered":"Mutiny On The Bounty"},"content":{"rendered":"

<\/span><\/div><\/div><\/div><\/div><\/div>

MATH-ROCK<\/p>\n<\/div><\/div><\/div>

Mutiny On The Bounty<\/h2><\/div><\/div><\/div>
<\/div><\/div>
<\/a><\/a><\/a><\/a><\/div><\/div><\/div><\/div><\/div>
BOOK THE BAND<\/span><\/a><\/div><\/div><\/div>

Math-rock where jagged rhythms, interlocking guitars and explosive dynamics collide in a fiercely inventive live experience.<\/h3>\n<\/div><\/div><\/div>
Groovy rhythms, guitar acrobatics and wild live shows are some of the words that might cross your mind when speaking about Mutiny On The Bounty. The Luxembourg quartet have been showcasing their unique brand of Math-rock and Instrumental Music throughout Europe and have played close to 700 shows supporting bands such as Biffy Clyro, Foals, And so I Watch You From Afar, TTNG or Maps & Atlases as well as playing some of the biggest festivals like Roskilde, SXSW, Primavera or Rock For People.<\/p>\n

Following on from their second album \u2018Trials\u2019 released in 2012 and recorded by producer Matt Bayles(Mastodon, Bothc, Minus The Bear), Luxembourg post-rock quartet Mutiny On The Bounty released their third album \u2018Digital Tropics\u2019 recorded by german Producer Jan Kerscher (Ghost City Recordings).<\/p>\n

The third album saw the band fully embrace their instrumental side which was heavily championed on their last album. Of the new album the band say: \u201cDigital Tropics englobes all the facets of our personalities going from rock, to electro and more varied influences such as 80\u2019s pop or even hip-hop. It gives a wider range of emotions and we believe that it\u2019s a powerful album. We\u2019re really proud of this album.\u201d<\/p>\n

The appropriately named lead track \u2018Mkl Jksn\u2019 is the perfect introduction to \u2018Digital Tropics\u2019, with reverb soaked and groove-infused staccato melodies from the guitars dancing around a technical and mechanically intricate rhythm section. Elsewhere tracks such as \u2018Telekinesis\u2019 infuse slightly heavier riffs and driving rhythm with guitars that sound closer to keys or synths than strings, giving the track a diverse and uplifting feel. This is where the inclusion of new influences can be heard, at times you can almost hear elements of Kraftwerk, whereas other areas are closer to bands such as ASIWYFA, Faraquet or Battles.<\/p>\n

Similarly this can also be heard in \u2018Ecliptic\u2019 which darts between the realms of electro, math-rock, and Vangelis\/Brad Fiedelesque moments of euphonious orchestration. MOTB are a band that have soared from strength-to-strength with every album by delving further into their individual personalities to explore new sounds and composition techniques. In doing so the band have reached new territory exploring a more deceivingly moody soundscape than \u2018Trials\u2019 which is both technically challenging yet entirely danceable.<\/p>\n

Following an extensive touring schedule spanning from 2004 to 2016, MOTB opted to dial back their pace to dedicate time to individual endeavors and explore fresh musical pathways. Rejuvenated and more dynamic than ever, MOTB has regrouped with renewed vigor, currently channeling their creativity into upcoming music slated for release in 2024.<\/p>\n<\/div>\n<\/div>

<\/div><\/div>
Mutiny On The Bounty is only available as a quartet.<\/div>\n<\/div><\/div><\/div>

PRESS<\/p>\n<\/div>

\n

It\u2019s not just well-executed and with more ideas in one song than many bands use on an entire album. It is also brutally beautiful, melodic guitar rock that will appeal to everyone who digs music with both balls and brain.
\nROCKSLIDE FESTIVAL | DENMARK<\/strong><\/p>\n<\/blockquote>\n<\/div><\/div><\/div>

\n

Mutiny On The Bounty brings us an exciting cocktail of mathrock and post core on \u201cTrails\u201d.
\nImagine a combination of Isis and At The Drive In\/The Mars Volta and you\u2019ll have a pretty good idea what this album is all about.
\nTHIS IS NOT A SCENE<\/strong><\/p>\n<\/blockquote>\n<\/div><\/div><\/div>

\n

Elements which shouldn\u2019t work do work, elements which shouldn\u2019t be included are whacked in and the end result is something which I can\u2019t simply consider to be an album, it\u2019s a veritable tome of musical extravagance.
\nLOUD STUFF<\/strong><\/p>\n<\/blockquote>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

Discography<\/p>\n<\/div>

\"\"<\/div>

Danger Mouth | 2009<\/h2><\/div><\/div><\/div><\/div>
\"\"<\/div>

Artifacts | 2012<\/h2><\/div><\/div><\/div><\/div>
\"\"<\/div>

Trials | 2012<\/h2><\/div><\/div><\/div><\/div>
\"\"<\/div>

Digital Tropics | 2015<\/h2><\/div><\/div><\/div><\/div><\/div>
<\/i><\/div>
<\/i><\/div><\/div><\/div><\/div><\/div><\/div><\/div>

Line up<\/p>\n<\/div>

Sacha HANLET | Drums & Producer<\/span>
\nNicolas PRZEOR | Electric Guitar<\/span>
\nCedric CZAIKA | Electric Bass<\/span>
\nCl\u00e9ment DELPORTE | Electric Guitar<\/span><\/p>\n<\/div><\/div><\/div>

Listen to the actual project<\/p>\n<\/div>

<\/span><\/div>